David Winton

This fall, Brown Arts Institute (BAI), a university-wide arts research enterprise that serves as a campus resource and catalyst for the arts at Brown University, will launch IGNITE, a series of interdisciplinary, collaborative, impactful projects centered around the possibilities of art as a vehicle for societal change.

The Photography Show presented by AIPAD has announced a series of six AIPAD Talks with leaders in the photography world to be held in person during the run of the show. The Photography Show will be held March 31 through April 2 with a VIP Preview on March 30 at Center415 on Fifth Avenue between 37th and 38th Streets.

The George Rickey Foundation has announced the appointment of Richard Benefield as its new executive director.

New York-based conceptual artist and musician Ted Riederer makes his BAM artistic debut by exploring the social significance of record shops, vinyl lathe cuts, and recording studios with his site-specific project, Never Records. With a nod to Fluxus, Alan Kaprow's happenings, Alan Lomax, Harry Smith, and the collectivism of 80s and 90s DC punk scene, Never Records embodies Riederer's mission to build and galvanize communities based on the act of listening, and the visualization of sound. The BAM 2020 exhibition marks the 10th anniversary of the project which has recorded artists and citizens from around the globe including Liverpool, Derry, London, Lisbon, New Orleans, Victoria (Texas), Kansas City, and Amman (Jordan).

The David Winton Bell Gallery at Brown University is presenting the exhibition Luscious: Paintings and Drawings by Wendy Edwards, a 40-year retrospective of the artist's prolific career. A masterful colorist, Edwards creates paintings in which she explores the physicality of pigment on canvas and vibrant works on paper executed with soft pastels. Expressed in exuberant colors and bold compositions, the works vary from landscapes and still-lifes to organic forms and abstraction. The survey includes works created since 1980 when Edwards joined Brown University's Department of Visual Art faculty. The 50 canvases and works on paper convey strong emotional content informed by Edward's relationship with the natural world and abiding commitment to a feminist vision.

The Center for the Study of Slavery and Justice (CSSJ) and the Brown Arts Initiative (BAI) at Brown University will showcase the work of internationally acclaimed Haitian American artist Edouard Duval-Carrié this fall. The exhibition of major works created since 2017 is curated by Anthony Bogues, CSSJ Director and Asa Messer Professor of Humanities and Critical Theory Professor of Africana Studies at Brown.

The David Winton Bell Gallery at Brown University announced the appointment of Kate Kraczon as curator.

The David Winton Bell Gallery at Brown University is presentinga??a??a??a??a??a??a?? Fertile Ground, an exhibition of work by María Berrío, Zoë Charlton and Joiri Minaya. The artists' multimedia collages vividly depict bodies enveloped by nature, juxtaposing the cultivated garden with the wild and the real with the surreal. While the artists' practices and perspectives are unique, they each engage with issues of culture, identity, power, ownership and freedom.

The Brown Arts Initiative (BAI) at Brown University will present YOMO/Intermedia, an experimental dance, music, media and visual art performance, at the Granoff Center for the Creative Arts at Brown University on April 1 and 2, 2019.

Participants in the topical, interactive series for academic year 2018?19 include artists Rina Banerjee and Isaac Julien, curator and author Helen Molesworth, and Alice Pratt Brown Director of the Whitney Museum of American Art Adam Weinberg

Brown Arts Initiative (BAI) at Brown University is hosting internationally renowned Nigerian multimedia artist Jelili Atiku, Brown's first Artist Protection Fund Fellow. Atiku is serving as an assistant professor in the University's Department of Africana Studies and a BAI artist-in-residence through 2018.

The Brown Arts Initiative (BAI) at Brown University presents its second public symposium on April 5?6, 2018, at the Perry and Marty Granoff Center for the Creative Arts on campus.

Beginning in the 2018-19 academic year, Brown University will provide scholarship funds to cover the full cost of tuition for all returning and future students in the Brown University / Trinity Rep master of fine arts (MFA) programs in acting and directing.

What might the singing style in folk music from "Arctic Asia" or "Insular Pacific" say about these regions' respective cultural levels of…sexual repression? Such was one type of question monumental blues and folk music archivist Alan Lomax sought to answer with Cantometrics. Introduced in the mid-1960s, and harnessing some of the earliest computer technologies (like the IBM360), Cantometrics was Lomax's little-known, yet astronomically ambitious-and widely dismissed-system of coding all forms of sung music. oyster, a humorous and probing new experimental opera from composer and multidisciplinary artist Joe Diebes begs the question: how much can we really know of people and culture through computer profiling? Embedded in this 1966-set performance are nascent hints at a culture careening towards the slicker algorithmizing of all facets of life.

What might the singing style in folk music from Arctic Asia or Insular Pacific say about these regions' respective cultural levels of sexual repression? Such was one type of question monumental blues and folk music archivist Alan Lomax sought to answer with Cantometrics. Introduced in the mid-1960s, and harnessing some of the earliest computer technologies, Cantometrics was Lomax's little-known, yet astronomically ambitious and widely dismissed system of numerically coding and analyzing all forms of sung music. In oyster, a humorous and probing new experimental opera from composer and multidisciplinary artist Joe Diebes, the score reverses this process of turning songs into numbers by turning Lomax's numbers back into songs. (February 20-21, at Roulette, 509 Atlantic Avenue, Brooklyn) The surprising results beg a larger, pervasive contemporary question how much can we really know of people and culture through computer profiling?

The Brown Arts Initiative (BAI) at Brown University today announced highlights of its much-anticipated 2017-18 season of programming, featuring influential musicians, poets, artists, and filmmakers.

The Brown Arts Initiative (BAI) at Brown University today announced the launch of the Warren and Allison Kanders Lecture Series, an annual series of presentations and student interactions led by prominent contemporary artists and art-world luminaries. Designed to serve as a catalyst for open dialogue about the impact of contemporary visual art on our world, the new series will include four presentations per year beginning in October 2017. Inaugural participants include artists Nick Cave, Wangechi Mutu, and Shirin Neshat and The Studio Museum in Harlem director and chief curator Thelma Golden.

The Brown Arts Initiative (BAI) at Brown University and New York City-based Performa announced today a new three-year collaboration. The inaugural component is the co-commission of a new work by artist Kelly Nipper with MIT's Self-Assembly Lab to be developed during an artists' residency at the Granoff Center for the Creative Arts at Brown University in summer 2017.

REX, the award-winning firm based in New York City, has been selected by the Corporation of Brown University as the architect for Brown's new performing arts center (PAC) to be located in the heart of the College Hill campus.

The Brown Arts Initiative (BAI) at Brown University is presenting its first-ever public symposium on March 3-4, 2017, at the Perry and Marty Granoff Center for the Creative Arts on campus. re|ACT: Symposium on Arts and Environment convenes an exceptional group of innovators and practitioners - artists, curators, designers, architects, writers, activists, and scholars among them - whose cutting-edge work engages a diversity of environments we inhabit. Symposium participants include individuals whose work responds to both natural and organic environments and to built and virtual constructions: sonic, visual, and performance artists using environmental data as a structural element, for example.