Tyson Laemmel News

Winner of the TONY "TRIPLE CROWN" for BEST MUSICAL, BEST SCORE and BEST BOOK, AVENUE Q is part flesh, part felt and packed with heart. AVENUE Q tells the story of Princeton, a bright-eyed college grad who moves to NYC with big dreams and a tiny bank account. The only apartment he can afford is way out on Avenue Q, where everyone's looking for the same things he is: a decent job, a stable relationship, and a 'purpose.' Eventually, Princeton learns to embrace the ups and downs of city life and realizes that 'the real world' isn't so bad, after all!

THE LAST FIVE YEARS is a contemporary musical that chronicles the five year life of a marriage, from meeting to break-up. As the story begins, Cathy is at the beginning of the relationship and Jamie is at the end. With inter-cutting scenes, the audience watches Jamie move forward in time as Cathy moves backward throughout the show. THE LAST FIVE YEARS is a look at the relationship between a writer and an actress told from both points of view.

Outrageously funny, wonderfully engaging and, at times, even heartfelt and sentimental, Avenue Q serves up a full buffet for the discerning theater-goer lucky enough to find himself in the audience of Street Theatre Company's production of the multiple Tony Award-winning musical, directed with flash and sass by Martha Wilkinson and featuring a cast of amazingly adept actors-turned-puppeteers who bring the show to life.

Winner of the TONY "TRIPLE CROWN" for BEST MUSICAL, BEST SCORE and BEST BOOK, AVENUE Q is part flesh, part felt and packed with heart. AVENUE Q tells the story of Princeton, a bright-eyed college grad who moves to NYC with big dreams and a tiny bank account. The only apartment he can afford is way out on Avenue Q, where everyone's looking for the same things he is: a decent job, a stable relationship, and a 'purpose.' Eventually, Princeton learns to embrace the ups and downs of city life and realizes that 'the real world' isn't so bad, after all!

Winner of the TONY "TRIPLE CROWN" for BEST MUSICAL, BEST SCORE and BEST BOOK, AVENUE Q is part flesh, part felt and packed with heart. AVENUE Q tells the story of Princeton, a bright-eyed college grad who moves to NYC with big dreams and a tiny bank account. The only apartment he can afford is way out on Avenue Q, where everyone's looking for the same things he is: a decent job, a stable relationship, and a 'purpose.' Eventually, Princeton learns to embrace the ups and downs of city life and realizes that 'the real world' isn't so bad, after all!

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Beautifully conceived by an ambitious, driven director and artfully brought to life by a stellar cast of actors, Pacific Overtures-the musical by Stephen Sondheim and John Weidman-seems, at first, an unlikely choice for the sophomore season of Nashville's Blackbird Theater. Yet when you consider the company's prior offerings (which include Twilight of the Gods, an original play by Wes Driver and Greg Greene, the company's co-founders; Tom Stoppard's intellectually compelling Arcadia; and G.K. Chesterton's rarely produced Magic), it fits perfectly into the Blackbird canon. And, like those earlier productions, Pacific Overtures is another artistic triumph, the realization of a long-held dream by director Greene to bring his favorite work for musical theater to the stage.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Playwright Nate Eppler, Mas Nashville's FIVE, the Boiler Room Theatre, Lipscomb University's Hairspray, ACT 1's American Buffalo and the national touring company of Memphis, the Musical were the top winners at Sunday night's Midwinter's First Night at Nashville's Keeton Theatre, which also featured the presentation of the BroadwayWorld.com Nashville and Tennessee theatre awards.

Macabaret is an irreverent, racy evening of gallows humor, song, and dance. This cabaret-style show takes an outrageous look at the morbid and the macabre.

You gotta give credit to Scott Rice: the man's got style! Approaching his 40th birthday with the same trepidations that anyone would, instead of just throwing a drunken revelry for all his Nashville friends, he has chosen instead to become an impresario in order to produce, direct and star in the Music City premiere of John Bucchino's It's Only Life.

Nashville actor Scott Rice's new production company, Falling Frog Creations, presents John Bucchino's It's Only Life in celebration of Rice's birthday, at Street Theatre Company, 1933 Elm Hill Pike, October 7-9. While this cabaret retrospective of the music of composer John Bucchino is the inaugural production of this new production company, it also coincides with the birthday celebration of its founder, Rice. Joining Rice onstage will be Megan Chambers, Tyson Laemmel and Olivia Skurka. Rollie Mains serves as musical director and accompanist.

Macabaret is an irreverent, racy evening of gallows humor, song, and dance. This cabaret-style show takes an outrageous look at the morbid and the macabre.

Nashville actor Scott Rice's new production company, Falling Frog Creations, presents John Bucchino's It's Only Life in celebration of Rice's birthday, at Street Theatre Company, 1933 Elm Hill Pike, October 7-9. While this cabaret retrospective of the music of composer John Bucchino is the inaugural production of this new production company, it also coincides with the birthday celebration of its founder, Rice. Joining Rice onstage will be Megan Chambers, Tyson Laemmel and Olivia Skurka. Rollie Mains serves as musical director and accompanist.

So, this is how it all started: Cori Laemmel, who despite her many flaws (she's too sweet, too talented and too pretty, not to mention that she is, well, just darling) is one of my favorite theatrical types, calls me up and asks me to come see The Most Amazing Anything of Evertime, the new show she wrote and directed for the first, big-scale, open-to-the-public, onstage production of The Theater Bug, her performing arts training program for younger actors.

Cori Laemmel would be the first to tell you: 2011 has been kind of a crazy year for her. She made her debut with Tennessee Repertory Theatre with her critically-acclaimed turn in Yankee Tavern; with four of her talented friends, she brought MAS Nashville to life, creating and performing in two stellar nights of cabaret - with more in store; and she launched her theater training program for younger actors aka The Theater Bug. Oh, and she was in the audience for her actor husband Tyson Laemmel's many performances, as well.

Celebrating their company's 61st season - which makes them the oldest community theater in Middle Tennessee - Nashville's Circle Players recognized outstanding achievement during the 2010-2011 season with the presentation of the Circle Awards on Sunday, June 19.

Matt Logan could easily have rested on his laurels and simply re-staged the second offering of showHOPE's Cinderella, the Enchanted Edition in exactly the same manner as he did in 2010 - it was a magical evening, at the very least, and it would certainly be easier, acceptable even to his most loyal fans, to have done so. Instead, as expected, Logan, one of the region's finest and most inventive stage directors, chose to re-imagine his vision for Cinderella, giving it a more sophisticated presentation and breathing new vigor into the project while tapping heretofore unknown reserves of creativity among his cast and crew - and even himself.