NYU Skirball Reveals Lineup For Fall 2024 Season
by Stephi Wild
- May 8, 2024
NYU Skirball’s Fall 2024 season will open on Friday, September 6 with the North American premiere of Counting and Cracking, a two-week run co-presented with The Public Theater. Learn more about the season here!
THE JUNIPER TREE Comes to Opera Orlando This Month
by Stephi Wild
- May 2, 2024
Opera Orlando is back On the Town to close its All for Art season, making a “wish for art” May 10 and 11 with an operatic retelling of the Grimm Fairy Tale The Juniper Tree.
Kronos Quartet Archive Acquired By the Library of Congress
by A.A. Cristi
- Apr 25, 2024
Kronos Quartet receives triple honors from the Library of Congress, including acquisition of their archive, D.Harrington's appointment as Kluge Chair, and 'Pieces of Africa' induction into the National Recording Registry.
Park Avenue Artists Expands Booking Division With New Talent And Leadership
by Stephi Wild
- Apr 24, 2024
Park Avenue Artists has expanded both its artist roster and its executive team in its booking division. This division extends PAA's mission to transform how artists and agents collaborate to build meaningful, sustainable, creatively groundbreaking careers for some of the world's most talented musicians and performers.
Charles Court Opera Will Perform THE SORCERER This June
by Stephi Wild
- Apr 22, 2024
Hot on the heels of their critically acclaimed production of Rossini’s The Barber of Seville, this June, Charles Court Opera return to Wilton’s as part of a national tour, with their brand-new production of one of the first Gilbert and Sullivan operas, The Sorcerer.
Corinthian Singers to Present ILLUMINATION in July
by Blair Ingenthron
- Apr 21, 2024
The next concert by the Corinthian Singers will highlight choral works on the theme of Illumination, from works about light, to atmospheric works that imply the effect of light.
Review: Separated at Birth? Boulanger's VILLE MORTE and Debussy's PELLEAS Fall Similarly on the Ear
by Richard Sasanow
- Apr 20, 2024
It’s easy to understand why Neal Goren, founder and artistic director of Catapult Opera, was immediately taken with LA VILLE MORTE. (His program notes say, “Upon receiving the piano-vocal score, I found myself sighing in ecstasy…”) First, the name Nadia Boulanger is magic in 20th century music—in music history in general, for that matter—though not for her own compositions.
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