Pulitzer Prize-winning composer David Lang will be on hand for the opening night performance of Nashville Opera's production of The Difficulty of Crossing a Field, his treatment of a fanciful Ambrose Bierce short story from 1888.
The Difficulty of Crossing a Field opens Friday, November 9, and Lang will take part in a post-performance discussion. The format for each performance of Lang's opera includes the 80-minute opera presented in its entirety and a short intermission, to be followed by an Opera Insights discussion moderated by John Hoomes, general and artistic director of Nashville Opera.
"We are honored that David Lang will be attending Nashville Opera's performance of The Difficulty of Crossing a Field on November 9th," says Hoomes. "This work elicits a variety of responses in both cast and audience, so having the opportunity to discuss these perceptions with the composer will provide a rare insight, indeed."
Lang's The Difficulty of Crossing a Field is inspired by a short story written by Ambrose Bierce, and published in the San Francisco Chronicle on October 14, 1888. Bierce, a veteran of the War Between the States (his wartime experiences during the Battle of Shiloh provided the basis of some of his best-known works), was an American writer and critic, perhaps best known for his short story An Occurrence at Owl Creek Bridge. Known as a "searing and vehement" critic, his sardonic writing earned him the nickname "Bitter Bierce."
Featuring the ALIAS Chamber Ensemble, conducted by Dean Williamson, The Difficulty of Crossing a Field stars mezzo soprano Jennifer Rivera as Mrs. Williamson; soprano Rebecca Sjöwall as the Williamson Girl, tenor Robert Anthony Mack as Boy Sam; actor Brian Russell as Mr. Williamson/Magistrate, Eric D. Pasto-Crosby as Armour Wren/Andrew; and features eight members of the Nashville Opera Ensemble (including Jennifer Whitcomb-Oliva and Eddie Charlton) under the direction of Amy Tate Williams.
The Difficulty of Crossing a Field will be performed on Friday, November 9 at 8 p.m.; Saturday, November 10 at 8 p.m.; and Sunday, November 11 at 2 p.m. at the Noah Liff Opera Center in Sylvan Heights. Tickets are available by calling Nashville Opera at (615) 832-5242, the TPAC Box Office at (615) 782-4040, or online at www.nashvilleopera.org.
The opera is sung in English with limited projected translations. Story outlines, behind-the-scenes videos, and a detailed study guide are available at www.nashvilleopera.org. Two ticketing levels are available: $35 for Reserved and $50 for Premiere.
Lang is the recipient of numerous honors and awards, including the Pulitzer Prize, the Rome Prize, the BMW Music-Theater Prize (Munich), and grants from the Guggenheim Foundation, the Foundation for Contemporary Performance Arts, the National Endowment for the Arts, the New York Foundation for the Arts, and the American Academy of Arts and Letters. In 1999, he received a Bessie Award for his music in choreographer Susan Marshall's The Most Dangerous Room in the House, performed live by the Bang on a Can All-Stars at the Next Wave Festival of the Brooklyn Academy Of Music. The Carbon Copy Building won the 2000 Village Voice OBIE Award for Best New American Work. The recording of The Passing Measures, on Cantaloupe Records, was named one of the best CDs of 2001 by The New Yorker. His recent CD Pierced, on Naxos, was called his "most exciting new work in years" by the San Francisco Chronicle. The commercial recording of the little match girl passion, released on Harmonia Mundi, received the 2010 Grammy Award for Best Small Ensemble Performance. Lang is co-founder and co-artistic director of New York's legendary music collective Bang on a Can.