However, overall, London's direction seems somewhat unfocused and the show's sometimes lugubrious pacing threatens to throw the entire production off-track. The production really takes off during its musical numbers, as should be expected considering Ginger Newman's fine musical direction, and Kate Adams' choreography, which evokes much of Fosse's work, is exceptional. Congratulations to the ensemble for their fine performance of "Rich Man's Frug" and "I'm a Brass Band."
The show's design aesthetic is nicely represented by Emily Rodriguez' set design and Kelly Landry's lighting design. Jane Schnelle, who doubles as producer and costumer, clothes her cast in period-flavored design that adds to the overall effect of the show.